Tim Prebble of The Music of Sound and Hiss and a Roar has an interesting project in the works. He’s enlisted the help of hundreds of recordists to help him with egregious problem: generic sounding doors:
If there is one sound that pulls me out of a movie or TV show (apart from the Wilhelm) it’s the use of crappy sounding library doors. Now I don’t imagine this is a common complaint amongst theatre goers but it does bug me and I’ve often wondered why the problem exists. Lets face it, if you have your recorder running, you could record a dozen door sounds between the time you get out of bed until you return there… So why use generic door sounds? — Tim Prebble
I’m just getting started on my contribution to the project, but I thought it would be fun to post a couple early takes. The following recording is from a closet door in my childhood home.
The first take is a door close recorded at a close perspective which is on the gentle side of the things, and the second take is more of a slam.
Tim also has another project called Dub 45:
Dub45 is a net-label where releases take the form of virtual 45rpm singles, but with both sides containing dub versions of a non-existent A side. While the selection of tracks pays hommage to the spirit of studio-created dub reggae, Dub45 is a contemporary take on a form of music profoundly centred on bass, drums & space…
I bring you the dubby door.
Recording Geek Note: Rig consists of Schoeps CMC5 setup for MS, with the MK4 as the mid. It was all tracked to a Sound Devices 744T at 24/96. And R. Kelley was not trapped in the closet.