Cold Weather Pals

Sometimes, we need all need a bit of help. Cold weather and gear often demands lots of it. To date, I have gone recording in Vermont, Upstate NY, Minnesota, and, most recently, in Canada.

In order to find quiet locations I have been poring over maps and air traffic data. After a fair amount of research I settled on Algonquin Park in Northern Ontario. There is limited air traffic over the park and I knew the park wouldn’t be packed with visitors in the dead of winter.

Happily, I have a pal in Toronto, and I was able to talk John Loranger into tagging along on the trip. John picked me up on a Friday from YYZ[1] and we headed out to the semi-frozen north.[2]

The following recording is from a location that was about 300ft from a half frozen lake, and between several large pines.

I love how the distant ice crack and the subtle creaks from the trees add to the sense of cold. After three full days in Algonquin we only heard four planes. I was hoping for a moose to drop by where we were recording, but it wasn’t meant to be.

I have been extremely fortunate to have travel companions while out in the freezing cold. Algonquin is incredibly wild in the winter and most of its roads are left uncleared. We would not have been able to get to most of the locations if it wasn’t for John’s four-wheel drive truck.

I was also recently in Minnesota doing some recording and I would not have been able to do 90% of it without the help of my good friend Rob Byers. We spent days traversing snow-covered roads that were more than a little challenging.

Rob also just received a shipment with a healthy chunk of my gear. He is currently traveling to remote northern Minnesota where he will have to ski to a cabin. Rob was generous enough to suggest that he could do some recording for me while up north. Last week, I packed up my pelican cases and off they went. (thank goodness for insurance). I’m really looking forward to hearing what sounds come back to me.

I’m truly lucky to have great friends and colleagues in cold places these days.[3]


Recording Geek Note: Rig consists of Schoeps CMC5′s with MK4 capsules setup for double ORTF. It was tracked with a Cooper CS 104 feeding a Sound Devices 744T.


  1. I wanted to run into Geddy Lee at the airport but my hopes were dashed.  ↩
  2. There was a thaw the week before and I was concerned that we would run into a lack of snow and ice. Most of the locations were great, but the ice was too unsafe to walk on.  ↩
  3. I’m also truly lucky to have great recording buddies in other locations as well that are always game to lend a hand when I visit their hometowns. I’m grateful for all of their support over the years.  ↩
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Winter Creaks

Lately, I’ve been recording way more than I have been editing. I have been traveling all over gathering quiet winter ambiences. I haven’t found much quiet time to actually get to cutting.

It’s becoming increasingly more difficult to find quiet places to record, and when you live in New York you have no choice but to travel at least 3 hours to record anything useful.

It’s one thing to look at a map and find a place you believe will yield clean results. It is another to find that incredibly quiet place. It takes a fair amount of scouting and the willingness to go somewhere and fail. Stumbling upon a quiet environments is pretty damn incredible but can be somewhat unsettling. I wish it wasn’t a shock to my system, and it was more of a normal occurrence, but that is not the reality. In cases where I do find quiet, my mind often plays tricks on me. I often think that I can hear a distant truck or plane when in reality one isn’t there. That sort of noise is so engrained in my daily experience that is hard to believe the noise isn’t always lurking somewhere.

The following recording was made just a few weeks ago in a heavily wooded forest. The temperature was hovering between 0° – 12°F with the winds beginning to kick up.

I love the tone of the wind as the gusts begin the pick up. I also don’t know anyone who can resist the eerie sounds of trees creaking in the wind. The location was so stark and desolate that I was more than a bit creeped out by all of the creaking while hiking into the woods. It takes a lot of self control to keep the image of Dick Halloran driving that snowcat in The Shining out of the old noggin, but it has to be done. No one needs to be paralyzed with that kind of fear.

The recording is one half of a double ORTF setup which I am still putting through its paces. I’m using full-size Schoeps CMC5 bodies on stereo bars, which means there are a few compromises. Instead of using full sized windshields, I have to use Rycote’s smaller ball gag windshields. So far I have been pretty impressed with the results. They manage to hold up to pretty strong winds and get the job done. The only real issue I’ve run into is the rather awkward product name. It makes for interesting discussions while going through airport security.


Recording Geek Note: Rig consists of Schoeps CMC5′s with MK4 capsules setup for double ORTF. It was tracked with a Cooper CS 104 feeding a Sound Devices 744T.

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